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In high-stakes business, the most dangerous distance is the gap between a brilliant idea and the English required to sell it. I call this the Fluency Gap—the invisible tax paid by brilliant international founders, executives, and innovators whose ideas are underestimated because of linguistic friction, vocal hesitation, or cultural deference. I am the 'Vocal Fixer' for the Global 1%. I help international leaders master the 'American Edge'. I’m best at the intersection of Linguistic Authority, Strategic Storytelling, and Cross-Cultural Negotiation. I work with brilliant minds (from Series A founders to Fortune 500 senior leaders) who have the technical genius but are tired of being underestimated in US boardrooms. I don’t just 'improve accents'; I turn your linguistic barriers into a competitive edge so that brilliance isn't just understood. It's felt. Just imagine an organization where your most brilliant technical minds finally sound as unstoppable as their ideas.
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Isabella is a visionary event producer and strategist, bringing 15+ years of expertise in the experiential and music festival industries. As Co-Founder & CEO at Super Great Fantastic, she leads full-scale experiential, travel, and creative productions, crafting immersive brand experiences, large-scale festivals, and high-impact consumer activations. With a track record of managing eight-figure budgets, overseeing teams of 80+, and serving as a strategic and creative consultant, Isabella is known for her ability to turn bold ideas into flawless execution. A Forbes 30 Under 30 runner-up in 2020, she continues to push boundaries, creating events that captivate, connect, and leave lasting impressions. Her recent IP event at Cannes Lions 2025 was a finalist for "Best Reimagined Event" Globally by the BizBash Experiential Awards.
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Erin Jones-Wesley doesn't fit neatly into any one box — and that's exactly the point. She is a media personality, creator, podcast host, speaker, and founder of EJW Media. She holds an MFA from the American Film Institute Conservatory and a BA from California State University, Long Beach, and she was the first woman in her family to earn either degree. But her story didn't start in a classroom or a writers' room. It started on a pitcher's mound. Erin earned a full athletic scholarship to Cal State Long Beach, where she became a Division I NCAA softball pitcher, broke program records that still stand today — 728 strikeouts, 84 wins, and 148 appearances — and was later inducted into the university's Athletics Hall of Fame. She went on to play professionally, earning a bronze medal on the international stage and a platform as an ESPN color analyst. That career taught her everything Hollywood later confirmed: that excellence is a habit, that preparation is the only shortcut, and that the people who last are the ones who do the work before anyone is watching. When Erin pivoted to entertainment, she brought that same discipline with her. She built her way into Hollywood with no industry connections — just an AFI recommendation from a former studio head and an unwavering belief that she belonged in the room. At AFI, she didn't just earn her MFA. She also competed as Miss Santa Monica USA, placing 2nd Runner Up at Miss California USA in January 2020 — a detail that tells you everything you need to know about how Erin moves through the world: fully, and on multiple fronts at once. She became a Creative Executive at Lionsgate, where she developed an eclectic and ambitious slate of projects: the psychological thriller The Housemaid, the Michael Jackson biopic Michael, the star-studded Another Simple Favor, and Now You See Me Now You Don't, among others. She understood early that the best stories don't just entertain — they move people, shift culture, and leave something behind. Along the way, she co-founded The 42 Initiative, a nonprofit that raised over $1 million and brought Little League baseball back to Inglewood — because access to the game that shaped her should never be a privilege. In 2025, Erin made a deliberate choice to leave the traditional Hollywood ladder and build something entirely her own. Today, EJW Media reaches over 3 million people monthly across TikTok and Instagram, with an audience of adults ages 18 to 44 who come for the pop culture commentary and stay for the perspective. Warm, witty, and deeply informed, Erin covers film, television, reality TV, the creator economy, and the cultural moments that matter — the way you would with your most plugged-in friend. She co-hosts Like Us Pod, a RHOBH recap podcast with her sister Danielle, and has appeared as a guest on Bravo While Black, Breaking Into Hollywood with James Lott, and The Bravo Investigator. She has spoken at Comic-Con panels, film industry events, high school career days, and softball opening ceremonies, carrying the same message to every room: the ladder is real, the climb is worth it, and you don't have to look like anyone who came before you to reach the top. Erin Jones-Wesley is what happens when a Hall of Fame pitcher, a Hollywood insider, and a natural-born storyteller decide to stop waiting for permission.
$251 - $1,500